ON SALE NOW
2025/26 Memberships
Get your Membership for our 2025/26 season and save! Memberships include admission to all 2025/26 Main Series productions and additional benefits, including free ticket exchanges, admission to additional performances added throughout the year, and access to 'member-only' special events. Get your Season Membership now and never miss a thing.
WORLD PREMIERE!
SEPTEMBER / OCTOBER 2025
A howl against entropy. A gesture toward awareness.
An intimation of the sacred silence at the center of it all.
Part lyrical sermon, part political exorcism, and part late-night jam session, FROM HERE TO WHERE is an ensemble-driven living composition that confronts questions of existence, power, and transformation. Structured less like a story and more like a reckoning, it unfolds through monologue, music, movement, sculpture, film, and satire—swerving between psychic vignettes, sacred ritual, and primal scream.
Devised by Umberto Crenca, at the heart of the piece is The Gillen Street Ensemble, featuring music and magic by Heather Ahern, Chris Anderson, Susan Clausen, Crenca, Alan Greco, Alice Jackson (a.k.a. Cyberbully), Mitch Mackenzie, and Cliff Wood. With performances simultaneously intentional and abstract, what may appear formless gradually reveals a delicate outline of connection and a piece—clashing, harmonizing, fiddling at the edge of collapse.
An intimation of the sacred silence at the center of it all.
Part lyrical sermon, part political exorcism, and part late-night jam session, FROM HERE TO WHERE is an ensemble-driven living composition that confronts questions of existence, power, and transformation. Structured less like a story and more like a reckoning, it unfolds through monologue, music, movement, sculpture, film, and satire—swerving between psychic vignettes, sacred ritual, and primal scream.
Devised by Umberto Crenca, at the heart of the piece is The Gillen Street Ensemble, featuring music and magic by Heather Ahern, Chris Anderson, Susan Clausen, Crenca, Alan Greco, Alice Jackson (a.k.a. Cyberbully), Mitch Mackenzie, and Cliff Wood. With performances simultaneously intentional and abstract, what may appear formless gradually reveals a delicate outline of connection and a piece—clashing, harmonizing, fiddling at the edge of collapse.
RHODE ISLAND PREMIERE
NOVEMBER / DECEMBER 2025
If I go, will you go too?
Will you follow me?
Will you promise me?
From the celebrated author of Natasha, Pierre, and the Great Comet of 1812 comes a hauntingly original new musical about the search for human connection in the digital age. Featuring rich harmonies and intricate vocal arrangements, Octet finds compelling human drama in our middle-of-the-night anxieties about the impact of technology on the nature of our relationships. Winner of the 2020 Lucille Lortel Award for Outstanding New Musical, Dave Malloy’s new musical offers a hilarious, intimate, and deeply moving exploration of human connection in the digital age.
Winner of the Lucille Lortel Award, Drama Desk Award, Outer Critics Circle Award, and Obie Award for Outstanding New Musical.
Will you follow me?
Will you promise me?
From the celebrated author of Natasha, Pierre, and the Great Comet of 1812 comes a hauntingly original new musical about the search for human connection in the digital age. Featuring rich harmonies and intricate vocal arrangements, Octet finds compelling human drama in our middle-of-the-night anxieties about the impact of technology on the nature of our relationships. Winner of the 2020 Lucille Lortel Award for Outstanding New Musical, Dave Malloy’s new musical offers a hilarious, intimate, and deeply moving exploration of human connection in the digital age.
Winner of the Lucille Lortel Award, Drama Desk Award, Outer Critics Circle Award, and Obie Award for Outstanding New Musical.
RHODE ISLAND PREMIERE
JANUARY / FEBRUARY 2026
Think of this retreat as a vacation from your habits. Your routines. Yourself…
After this, you don't ever have to go back to who you were.
In the overwhelming quiet of the woods, six runaways from city life embark on a silent retreat. As these strangers confront internal demons both profound and absurd, their vows of silence collide with the achingly human need to connect. Filled with awkward humor, this strange and compassionate new play asks how we address life’s biggest questions when words fail us.
“Wohl isn’t afraid to let the ridiculous rub up against the sublime, and it makes SMALL MOUTH SOUNDS as entertaining as it is transcendent.”
—Time Out New York.
After this, you don't ever have to go back to who you were.
In the overwhelming quiet of the woods, six runaways from city life embark on a silent retreat. As these strangers confront internal demons both profound and absurd, their vows of silence collide with the achingly human need to connect. Filled with awkward humor, this strange and compassionate new play asks how we address life’s biggest questions when words fail us.
“Wohl isn’t afraid to let the ridiculous rub up against the sublime, and it makes SMALL MOUTH SOUNDS as entertaining as it is transcendent.”
—Time Out New York.
RHODE ISLAND PREMIERE
MARCH / APRIL 2026
You and I, we have met before, though you may not recognize me. People have a tendency to see me once and try hard to forget it ever happened — though that never works — not for very long.
On the night of their 20th high school reunion, the self-proclaimed “Multi-Ethnic Reject Group” reconnects while they pregame in Prince George’s County, Maryland. But amid the flow of reminiscing, an otherworldly presence forces these former classmates to face the past head-on and reckon with an unknowable future. The latest from MacArthur Genius Award- winner Branden Jacobs-Jenkins (An Octoroon, Appropriate, Gloria), this “mesmerizing” (The Wrap) new play garnered a New York Times Critic’s Pick and Lucille Lortel Award for Outstanding Play.
On the night of their 20th high school reunion, the self-proclaimed “Multi-Ethnic Reject Group” reconnects while they pregame in Prince George’s County, Maryland. But amid the flow of reminiscing, an otherworldly presence forces these former classmates to face the past head-on and reckon with an unknowable future. The latest from MacArthur Genius Award- winner Branden Jacobs-Jenkins (An Octoroon, Appropriate, Gloria), this “mesmerizing” (The Wrap) new play garnered a New York Times Critic’s Pick and Lucille Lortel Award for Outstanding Play.
RHODE ISLAND PREMIERE
MAY / JUNE 2026
Well, now time passed and now it seems,
Everybody’s having them dreams.
Everybody sees themselves
Walkin’ around with no one else.
'Half of the people can be part right all of the time,
Some of the people can be all right part of the time,
But all of the people can’t be all right all of the time.'
- I think Abraham Lincoln said that
'I’ll let you be in my dreams if I can be in yours'
- I said that.
Duluth, Minnesota in 1934 and a group of wayward travelers' lives intersect in a guesthouse filled with music, life, and hope. Experience this “revelatory” musical (Chicago Tribune) written by celebrated playwright Conor McPherson and featuring Tony Award-winning orchestrations by Simon Hale reimagining 20 legendary songs of Bob Dylan as they’ve never been heard before, including Forever Young, All Along The Watchtower, Hurricane, Slow Train Coming, and Like A Rolling Stone.
“Profoundly beautiful. This ravishing and singular musical hears America singing.”
- The New York Times
Everybody’s having them dreams.
Everybody sees themselves
Walkin’ around with no one else.
'Half of the people can be part right all of the time,
Some of the people can be all right part of the time,
But all of the people can’t be all right all of the time.'
- I think Abraham Lincoln said that
'I’ll let you be in my dreams if I can be in yours'
- I said that.
Duluth, Minnesota in 1934 and a group of wayward travelers' lives intersect in a guesthouse filled with music, life, and hope. Experience this “revelatory” musical (Chicago Tribune) written by celebrated playwright Conor McPherson and featuring Tony Award-winning orchestrations by Simon Hale reimagining 20 legendary songs of Bob Dylan as they’ve never been heard before, including Forever Young, All Along The Watchtower, Hurricane, Slow Train Coming, and Like A Rolling Stone.
“Profoundly beautiful. This ravishing and singular musical hears America singing.”
- The New York Times
ON SALE NOW
2025/26 Memberships
Get your Membership for our 2025/26 season and save! Memberships include admission to all 2025/26 Main Series productions and additional benefits, including free ticket exchanges, admission to additional performances added throughout the year, and access to 'member-only' special events. Get your Season Membership now and never miss a thing.
ABOUT
An award-winning, not-for-profit professional theatre company, the Wilbury Theatre Group engages our community in thought-provoking conversation through new works, reimagined classics and adventurous playmaking. We are idealistic, ambitious, and stubborn in our resolve to create theatre that entertains, enlightens, and inspires.
